Name | ONE OASIS

項目名稱 | 廣(guang)州中(zhong)海大境    

Area | 890㎡

項目面(mian)積(ji) | 890㎡     

Location | GuangZhou, China

項(xiang)目地(di)址 | 中國(guo) 廣(guang)州

Client | China Overseas Property

開發單(dan)位 | 中海地產

In the revelation of the site, Zhonghai Grand Realm takes “the leisurely posture under the shade of the trees in nature” as the inspiration picture, and then develops the integration expression of the overall architecture, landscape and indoor space, starting from the imagination of a “form of a tree”, and ending with the completion of a “forest residence”. From the imagination of a “tree form” to the completion of a “forest residence”, the design responds to the unique spirit and value of the place in this case with the creation of an ultimate scarcity experience.

在場地(di)的(de)(de)(de)啟示中，中海大境(jing)以(yi)“自(zi)然(ran)中，樹蔭下的(de)(de)(de)悠(you)然(ran)姿態”為靈(ling)感(gan)畫面(mian)，發散整體建筑、景觀與室(shi)內空間的(de)(de)(de)融合表達，從一(yi)顆“樹的(de)(de)(de)形態”的(de)(de)(de)暢想開始，到一(yi)座“林中森邸”的(de)(de)(de)落成，設計以(yi)一(yi)種(zhong)極致的(de)(de)(de)稀缺體驗的(de)(de)(de)營造，來回應本案中場所獨有的(de)(de)(de)精神(shen)與價值(zhi)。

The treatment of the space on the first floor is like a free and open plane, through the placement of blocks of boxes, to do spatial thinking.

Here, the presentation of the “glass box” is not solidified as a conventional rectangular framework, but through the control of the rhythm of the space either open or closed, creating interlacing and splicing between boxes and boxes, boxes and open platforms, so as to create a “sense of respiration” for people who are constantly walking through, out and into the place and nature. “Breathing sense”.

一(yi)(yi)層空間的(de)(de)處理，猶如在一(yi)(yi)個自(zi)由開放的(de)(de)平(ping)面上，通過體(ti)塊盒子(zi)的(de)(de)安(an)置，做空間的(de)(de)思路梳理。在這里，“玻璃盒子(zi)”的(de)(de)呈現，并(bing)不固化為一(yi)(yi)個常(chang)規(gui)的(de)(de)矩形框架(jia)，而是通過空間或(huo)開或(huo)合之(zhi)(zhi)中節(jie)奏(zou)的(de)(de)控制(zhi)，制(zhi)造盒子(zi)與盒子(zi)、盒子(zi)與開闊(kuo)平(ping)臺之(zhi)(zhi)間的(de)(de)交錯和拼接，從而營(ying)造人們在場所之(zhi)(zhi)內(nei)、自(zi)然之(zhi)(zhi)中不斷穿行(xing)、走出又進入的(de)(de)“呼吸感”。

The artistic staircase is hidden in the giant structure, as one of the roaming lines connecting the entire three-story building, it becomes an important part of carrying the ultimate artistic expression of Zhonghai Grand Realm.

Here, the designer utilizes the psychology and visual art concept of “map bottom conversion” to integrate the “shape” and “background” in the space, creating an extremely artistic visual expression of the spatial feeling. The designer utilizes the concept of “map bottom conversion” to integrate the “modeling” and “background” in the space, creating an artistic visual experience.

藝術樓梯隱秘在巨構之中，作為連通整個三層建筑的(de)漫游動線之一，成為了承載中海大境(jing)極(ji)致藝術表現力(li)的(de)重要一環(huan)。在這里，設計師(shi)利(li)用“圖底轉換(huan)”的(de)心理學(xue)與視(shi)覺(jue)藝術概念，將空(kong)間(jian)中的(de)“造(zao)型(xing)”與“背景”融為了一體，營造(zao)了極(ji)富藝術視(shi)覺(jue)表現力(li)的(de)空(kong)間(jian)感受(shou)。

The second floor space creatively introduces the concept of the functional framework of the “large flat”, with the outward extension of the landscape surface on both sides to completely open up the field of vision, bringing the feeling of unobstructed spaciousness into the internal expression of the space.

二層空(kong)間創造性地引入了“大(da)平層”功能框架的(de)概(gai)念(nian)，配合兩側景觀面的(de)向外延(yan)展完全打開視野，將(jiang)一覽無余(yu)的(de)疏(shu)闊(kuo)感(gan)受帶入空(kong)間內部(bu)的(de)表達中。