Name | ONE OASIS

項目(mu)名稱 | 廣州(zhou)中海大(da)境    

Area | 890㎡

項目面積 | 890㎡     

Location | GuangZhou, China

項目地址 | 中國(guo) 廣州

Client | China Overseas Property

開發單位 | 中(zhong)海地產(chan)

In the revelation of the site, Zhonghai Grand Realm takes “the leisurely posture under the shade of the trees in nature” as the inspiration picture, and then develops the integration expression of the overall architecture, landscape and indoor space, starting from the imagination of a “form of a tree”, and ending with the completion of a “forest residence”. From the imagination of a “tree form” to the completion of a “forest residence”, the design responds to the unique spirit and value of the place in this case with the creation of an ultimate scarcity experience.

在場地(di)的(de)(de)啟示中，中海大境(jing)以“自然中，樹(shu)蔭下的(de)(de)悠然姿態”為靈感畫面，發散整(zheng)體建筑、景觀與室內(nei)空間的(de)(de)融合(he)表(biao)達，從一(yi)顆(ke)“樹(shu)的(de)(de)形態”的(de)(de)暢(chang)想開始，到一(yi)座“林中森邸”的(de)(de)落成，設計以一(yi)種極致的(de)(de)稀(xi)缺體驗的(de)(de)營造，來回(hui)應本案中場所獨有的(de)(de)精神(shen)與價值。

The treatment of the space on the first floor is like a free and open plane, through the placement of blocks of boxes, to do spatial thinking.

Here, the presentation of the “glass box” is not solidified as a conventional rectangular framework, but through the control of the rhythm of the space either open or closed, creating interlacing and splicing between boxes and boxes, boxes and open platforms, so as to create a “sense of respiration” for people who are constantly walking through, out and into the place and nature. “Breathing sense”.

一層(ceng)空(kong)間(jian)的處(chu)理，猶如在(zai)(zai)一個自由開放(fang)的平(ping)面上，通(tong)過(guo)(guo)體塊(kuai)盒(he)子的安(an)置，做空(kong)間(jian)的思路梳理。在(zai)(zai)這里，“玻(bo)璃(li)盒(he)子”的呈現，并不固化為一個常規的矩形框(kuang)架，而是通(tong)過(guo)(guo)空(kong)間(jian)或(huo)開或(huo)合(he)之(zhi)中(zhong)節奏(zou)的控制(zhi)(zhi)，制(zhi)(zhi)造(zao)盒(he)子與盒(he)子、盒(he)子與開闊平(ping)臺之(zhi)間(jian)的交錯和(he)拼接，從(cong)而營(ying)造(zao)人們(men)在(zai)(zai)場所之(zhi)內、自然(ran)之(zhi)中(zhong)不斷穿(chuan)行、走出又進(jin)入的“呼吸(xi)感”。

The artistic staircase is hidden in the giant structure, as one of the roaming lines connecting the entire three-story building, it becomes an important part of carrying the ultimate artistic expression of Zhonghai Grand Realm.

Here, the designer utilizes the psychology and visual art concept of “map bottom conversion” to integrate the “shape” and “background” in the space, creating an extremely artistic visual expression of the spatial feeling. The designer utilizes the concept of “map bottom conversion” to integrate the “modeling” and “background” in the space, creating an artistic visual experience.

藝術(shu)樓梯隱(yin)秘在巨構之(zhi)中，作為連通整個三層建筑的(de)漫游動線之(zhi)一，成為了(le)承(cheng)載中海大境極致(zhi)藝術(shu)表現(xian)力的(de)重要一環。在這里(li)，設計師(shi)利用“圖底(di)轉換”的(de)心理(li)學與(yu)視覺藝術(shu)概念，將空間中的(de)“造型”與(yu)“背景”融(rong)為了(le)一體，營造了(le)極富藝術(shu)視覺表現(xian)力的(de)空間感受。

The second floor space creatively introduces the concept of the functional framework of the “large flat”, with the outward extension of the landscape surface on both sides to completely open up the field of vision, bringing the feeling of unobstructed spaciousness into the internal expression of the space.

二層(ceng)空間(jian)創造性(xing)地(di)引入了“大平層(ceng)”功能(neng)框架(jia)的概念，配合兩(liang)側景觀面的向外延展完全打開視野，將一覽(lan)無余(yu)的疏闊感受帶入空間(jian)內部的表達中。